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çevrimiçi: 609 kişi  05 May 2024 
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Top 5000 » reader

reader

i. okur
  • I do insist on making what I hope is sense so there's always a coherent narrative or argument that the reader can follow.
    Howard Nemerov
  • I don't believe in writing anything that I don't know about or haven't researched about personally. I like to transport the reader to places, and in order to do that I have to do the research.
    Jackie Collins
  • I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it.
    Marilyn Hacker
  • I don't think anyone wants a reader to be completely lost - certainly not to the point of giving up - but there's something to be said for a book that isn't instantly disposable, that rewards a second reading.
    John M. Ford
  • I don't think the author should make the reader do that much work to remember who somebody is.
    Kevin J. Anderson
  • I don't think the author should make the reader do that much work to remember who somebody is.
    Kevin J. Anderson
  • I get to show the reader the essence of the book without giving anything away.
    Mary Grandpre
  • I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.
    Jean M. Auel
  • I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.
    Jean M. Auel
  • I have great faith in the intelligence of the American viewer and reader to put two and two together and come up with four.
    Jim Lehrer
  • I have hardly detained the reader long enough on the subject, to give him a just impression of the stress laid on confession. It is one of the great points to which our attention was constantly directed.
    Maria Monk
  • I simply write with an intelligent reader in mind. I don't think about how old they are.
    Robert Cormier
  • I think I'm a very good reader of poetry, but obviously, like everybody, I have a set of criteria for reading poems, and I'm not shy about presenting them, so if people ask for my critical response to a poem, I tell them what works and why, and what doesn't work and why.
    Diane Wakoski
  • I think some people wished I'd kept myself out of the book. But I kind of insist on it because I want the reader to share my engagement with the material, if you like, not pretend that I'm doing it completely intellectually.
    Helen Garner
  • I think that each of us inhabits a private world that others cannot see. The only difference between the writer and the reader is that the writer is able to dramatise that private world.
    John McGahern
  • I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world.
    James Laughlin
  • I think Walking Dead is one of the friendliest new reader type books in that every time a new trade is shipped out, a new issue is shipped out at the same time.
    Robert Kirkman
  • I try to write in plain brown blocks of American speech but occasionally set in an ancient word or a strange word just to startle the reader a little bit and to break up the monotony of the plain American cadence.
    James Laughlin
  • I want a kiss to be so believable it give the reader shivers.
    Laurell K. Hamilton
  • I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
    Alice Munro

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