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çevrimiçi: 2129 kişi  27 Haz 2026 
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jazz

f. caz yapmak
i. caz, boş lâf
s. ahenksiz, gürültülü
  • A jazz musician is a juggler who uses harmonies instead of oranges.
    Benny Green
    Bir caz müzisyeni portakallar yerine armonileri kullanan bir hokkabazdır.
  • - I woke in the morning with this tune in my head. I thought "I don't know this tune or do I?"
    - An old jazz tune or something?
    - My dad knew a lot of old jazz, maybe I remembered it from somewhere.
    - Sabah kafamın içinde bu melodi ile uyandım. 'Bu melodiyi bilmiyorum yoksa biliyor muyum?' diye düşündüm.
    - Eski bir caz melodisi falan mı?
    - Babam çok fazla eski caz bilirdi, belki onu bir yerlerden hatırlamışımdır.
  • - You were amazing.
    - Thank you
    - Where did you learn to play like that?
    - Well, jazz flute has always been a small passion of mine.
    - So what other passions do you have, Mr. Burgundy?
    - Harikaydınız.
    - Teşekkür ederim.
    - Böyle çalmayı nerede öğrendin?
    - Şey, caz flüt her zaman küçük bir tutkum olmuştur.
    - Peki, başka ne tutkularınız var, Bay B urgundy?
  • - Yeah. Yeah. Okay, that sounds great. If we finish our work, I'd love to go to a jazz club. Terrific!
    - He hung up on you again, didn't he?
    - Yes. Yes, he did.
    - He's a jerk.
    - Evet. evet. Tamam, harika fikir. Eğer işimiz biterse, caz klübe gitmeyi çok isterim. Müthiş!
    - Yine yüzüne kapattı, değil mi?
    - Evet. Evet kapattı.
    - Aptalın teki.
  • - That's me with Louis Prima. You know him, right?
    - He's a big jazz guy. I love Louis Prima.
    - Friend of mine. He's in town next week.
    - Bu Louis Prima ile ben. Onu tanıyorsun, değil mi?
    - Büyük bir cazcıdır. Louis Prima'yı severim.
    - Arkadaşım. Gelecek hafta şehre geliyor.
  • - That's what turned us on. I was at art school for five years. They'd only allow jazz to be played. No rock'n'roll in those days.
    - Bizi tetikleyen buydu. Beş yıl boyunca sanat okuluna gittim. Sadece caz çalınmasına izin verirlerdi. O günlerde rock'n roll yoktu.
  • I was pretty much prepared because I was already playing in extremely good ways when I arrived from Europe because I played jazz four or five years before I arrived here.
    Miroslav Vitous
  • I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
    Carla Bley
  • I listen to jazz and gospel... yeah that's basically what I listen to.
    Anwar Robinson
  • People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly.
    Wynton Marsalis
  • Coltrane would do what you'd get a Roland Pro Tools module to do but with a group of jazz musicians.
    Colin Greenwood
  • So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
    Miroslav Vitous
  • So the whole basis for jazz music is based on the fact that the bass player could not play his instrument.
    Miroslav Vitous
  • If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.
    Lee Ritenour
  • It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.
    George Santayana
  • There's the tradition in jazz of having the Battle of the Bands, and you do not want to get your head cut when you're playing.
    Wynton Marsalis
  • It's sort of what jazz would be if it stopped being snobby and what rock would be if it stopped being stupid.
    Andy Partridge
  • I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.
    Chuck Mangione
  • My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well known blues musicians.
    Walter Becker
  • I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
    Steve Lacy

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