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jazz

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i. caz, boş lâf
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  • I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player.
    Karen Black
  • The memory of things gone is important to a jazz musician.
    Louis Armstrong
  • Blues and jazz pulled me away from what was left of my family.
    Alexis Korner
  • As long as there are musicians who have a passion for spontaneity, for creating something that's never been before, the art form of jazz will flourish.
    Charlie Haden
  • You know, Equal Interest played at the Bell Atlantic Jazz Festival Awards and not one musician from that category was even thought of. Even thought of! The idea, that here's this vital energy, and that element doesn't even know it exists!
    Joseph Jarman
  • Rock and roll mainly but I can play passable jazz also.
    Suzi Quatro
  • I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.
    Charlie Haden
  • This music that was supposed to only come from tapes like in any restaurant. Something would happened. One bird will start to do a little jazz thing, and another bird will start to answer.
    John Hench
  • Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great.
    Amy Sedaris
  • I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.
    Alexis Korner
  • I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician.
    Charlie Haden
  • The whole world loves American movies, blue jeans, jazz and rock and roll. It is probably a better way to get to know our country than by what politicians or airline commercials represent.
    Billy Joel
  • In fact, jazz has such a great feeling and great emotional content that it really doesn't require you to have technical understanding of it. I think you just have to allow your feelings to go with the music and you will find yourself carried along by it fairly quickly.
    Dave Holland
  • They always say that jazz doesn't sell, but it's a lie, because it does sell, and it sells consistently year in and year out.
    Lester Bowie
  • I couldn't get my album played over the so-called smooth jazz stations. Jazz stations would not play it. You don't always know who you're making that soul connection with.
    Roy Ayers
  • I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!
    Tom Verlaine
  • So I went into jazz and performed in jazz clubs all over the country.
    Cy Coleman
  • Actually John, Paul Rutherford, and Trevor Watts, and several other rather well known English jazz musicians had got their training by joining the Air Force, which was a pretty standard way for people to get some kind of musical education in those days.
    Evan Parker
  • I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place.
    William Bell
  • I recorded my first jazz record in the '70s.
    Rita Coolidge

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