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jazz

f. caz yapmak
i. caz, boş lâf
s. ahenksiz, gürültülü
  • I think I represent a more left-wing view of what jazz is.
    Pat Metheny
  • I can imagine an utter hatred for the jazz avant-garde.
    Matthew Shipp
  • One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.
    Branford Marsalis
  • The iconoclastic mode, that specific mode of language, there is an element of it that it is punk - that is confrontational. That's just a part of the language of jazz - at a certain point.
    Matthew Shipp
  • What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact.
    Sonny Rollins
  • That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you.
    Branford Marsalis
  • And I played in jazz band as well during all three years in school.
    Travis Barker
  • You had many jazz musicians who lived in the United States, who had a hard time being accepted over here and had to play in sort of these inferior type dives.
    Sonny Rollins
  • My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
    Tony Iommi
  • The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid.
    Branford Marsalis
  • People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.
    Pat Metheny
  • The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
    Pat Metheny
  • It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
    Gerry Mulligan
  • My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!
    Etta James
  • The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula.
    Branford Marsalis
  • I've gone the full spectrum - from gospel to blues to jazz to soul to pop - and the public has accepted what I've done through it all. I think it means I've been doing something right at the right time.
    Lou Rawls
  • I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
    Chad Smith
  • Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.
    Gerry Mulligan
  • What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.
    Branford Marsalis
  • Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
    Doc Severinsen

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