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çevrimiçi: 2801 kişi  08 May 2025 
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  • You know, some of the good part of blog theory was that blogs would be like diaries that the world could read. They would be spontaneous, whatever pops into your mind, as a diary would be.
    Gregg Easterbrook
  • You know, somebody actually complimented me on my driving today. They left a little note on the windscreen, it said 'Parking Fine.' So that was nice.
    Tim Vine
  • You know, that kind of coldness, you know. And I think, yeah, I think that definitely helped. The female characters on the show, you can see some of them wanting to know what makes him tick. And I guess that translates into some of the fans outside. You know?
    Matt Robinson
  • You know, that single girl life and that sense of isolation - that doesn't leave you just like that. And that's what that song is about. I remember that, and that is imprinted on me, that sense.
    Mary Chapin Carpenter
  • You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
    Colin Quinn
  • You know, the interesting thing about having traveled around the country as much as I have, and I think it's sort of inadvertently what made me come out or at least begin doing things within the community and thinking more about that, was that I get to travel quite a bit.
    Lesley Gore
  • You know, the men go to tea houses with the expectation that they will have a nice quiet evening and not read about it the next morning in the newspaper.
    Arthur Golden
  • You know, the Oscar I was awarded for The Untouchables is a wonderful thing, but I can honestly say that I'd rather have won the U.S. Open Golf Tournament.
    Sean Connery
  • You know, the thing that struck me about Civil War music was how bloody it was; it was full of hatred. There was incredible vitriol in it.
    T-Bone Burnett
  • You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
    Chuck Close
  • You know, there are many alter egos and Gorillaz is a collective of alter egos, really. I think anyone who gets involved in it has to sort of accept that nothing is really as it seems.
    Damon Albarn
  • You know, there are many alter egos and Gorillaz is a collective of alter egos, really. I think anyone who gets involved in it has to sort of accept that nothing is really as it seems.
    Damon Albarn
  • You know, there are only about 10 people in the United States that have ever argued 25 cases before the Supreme Court, this man has won 25 cases before the Supreme Court. He's an overwhelming choice.
    Rod Parsley
  • You know, there are some areas of the state that are providing enormous help to their students; there are others where they're not doing what they can.
    George Pataki
  • You know, there was a time, just before I started to study physical science, when astronomers thought that systems such as we have here in the solar system required a rare triple collision of stars.
    Murray Gell-Mann
  • You know, there was not much wire work for any of us actors to do because the extent of what they did was so huge. I mean, they wouldn't just throw you from this table to that wall.
    Julian McMahon
  • You know, there's a big lie in this business. The lie is that it's okay to go out in flames. But that doesn't do anybody much good. I may be wrong, but I think Hendrix was trying to come around.
    Stevie Ray Vaughan
  • You know, there's a saying in art that in order to be universal you must be specific. So I think every artist feels that he is dealing with specific things but that it also has significance universally.
    David Cronenberg
  • You know, there's chronological age, there's biological age, and there's psychological age. Chronological age, there's nothing you can do about, which is I'm 52. You set that number aside.
    Cheryl Tiegs
  • You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.
    Michael Tilson Thomas

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