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Top 5000 » you're

you're

  • As a guest who doesn't eat, drink or smoke, you leave much to be desired, but as a writer, you're my girl.
    Thelma Ritter
  • Rock 'n' roll is much easier if you're white.
    Kid Rock
  • Off with you! You're a happy fellow, for you'll give happiness and joy to many other people. There is nothing better or greater than that!
    Ludwig van Beethoven
  • When you're a songwriter and you click with someone, you tend to want to keep writing with that person.
    Billy Sherwood
  • Going to your set with the headphones on in the middle of the night so that your parents don't know what you're doing when you're supposed to be asleep is great. I was rocking the bedroom. That was so much more fun when I got the 1200s.
    Jam Master Jay
  • In school, you're taught a lesson and then given a test. In life, you're given a test that teaches you a lesson.
    Tom Bodett
  • Oh yeah, the preacher's kid has to be the baddest one. If everyone is smoking weed, we've got to smoke crack. If you're throwing rocks, we've got to throw bigger rocks.
    Nick Cannon
  • It also allows you to look as though you're not particularly from the present, future or past, either.
    Doug Coupland
  • Whenever you're going to play a real person, you run the risk of well, everybody in the world kind of has an image of what that person is and who he should be and so you really have to do your homework.
    Joe Mantegna
  • When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
    Wynton Marsalis
  • He wasn't, but producers are by definition annoying because they have a different agenda from you. They're trying to stop you spending money and you're trying to not spend money, but at the same time we're great artists.
    Michael Apted
  • If a listener nods his head when you're explaining your program, wake him up.
    Alan Perlis
  • Any time you're trying to do a movie with a happy ending, it's very difficult because it's been done before and you don't want to be manipulative.
    Tim Robbins
  • Working in the digital domain, you're using approximations of things; the actual sound wave never enters the equation. You deal with sections of it, and you're able to do so much more by just reducing the information to a finite amount.
    Sean Booth
  • If you're playing within your capability, what's the point? If you're not pushing your own technique to its own limits with the risk that it might just crumble at any moment, then you're not really doing your job.
    Nigel Kennedy
  • If you're fortunate enough, you get to a position where you can be a little pickier about your roles.
    Rachel True
  • I don't buy into you're on the slag heap when you're 40 or 50 or 60 or 70 or whatever.
    Joan Collins
  • Not compromising the music, but there is a way, by just showing the people that you're sincere and honest with what you're doing, and by talking to them.
    Chuck Mangione
  • In New York there isn't that weird palpable competitive thing where it's friendly but everyone isn't trying to top one another with jokes when you're just hanging around.
    David Cross
  • You know, I'm not making top dollar, but when you're making top dollar, there are a lot of people waiting for you to fall.
    Esai Morales

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