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çevrimiçi: 406 kişi  20 May 2024 
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  • You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.
    Majel Barrett
  • You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.
    Majel Barrett
  • You guys are both saying the same thing. The only reason you're arguing is because you're using different words.
    S. I. Hayakawa
  • You guys know the way I play. And what's so ironic is, KG is the same way. I'm looking at him in practice and going, 'Wow, I'm always that guy,' you know?
    Latrell Sprewell
  • You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
    Julie Harris
  • You have actors who begin at a certain young age and there's very little change in their technique and the depth of their performances; they're the same 30 years later.
    Alec Baldwin
  • You have actors who begin at a certain young age and there's very little change in their technique and the depth of their performances; they're the same 30 years later.
    Alec Baldwin
  • You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time.
    Elizabeth Banks
  • You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time.
    Elizabeth Banks
  • You have to be able to enthral and persuade at the same time.
    Riccardo Muti
  • You have to be like a clock spring, wound but not loose at the same time.
    Dave Winfield
  • You have to love what you do, and you have to need it like you need air. And there's nothing else that would give me the same degree of satisfaction as acting, which is why I can't walk away from it.
    Wentworth Miller
  • You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
    Danny Elfman
  • You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
    Paul Auster
  • You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
    Paul Auster
  • You have to sort of see the way that the character behaves, and what the character says and does, and claim it in the same way that you claim anything, really.
    Richard Roxburgh
  • You have, I said frankly, but at the same time, as I felt, brutally.
  • You hear the same work by different orchestras, different conductors, violinists, pianists, singers, and slowly, the work reveals itself and begins to live deeper in you.
    David Ogden Stiers
  • You hope and pray that you'll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in you.
    Matthew Modine
  • You just don't see the same type of all-purpose entertainers nowadays.
    Taye Diggs

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