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çevrimiçi: 2222 kişi  06 Haz 2025 
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me

zm. bana, beni
  • In my sex fantasy, nobody ever loves me for my mind.
    Nora Ephron
  • In my teens or twenties I wanted to do Blanche. Now I'm over that. Those roles are not attracting me now. Which is odd, because that's what most every actress would want to go do.
    Delta Burke
  • In my view the structure of the whole atom was that of an individual, with all its parts interconnected, and the emission of a spectral line appeared to me to be the result of the coherence and co-operation of several electric quanta.
    Johannes Stark
  • In my writing with Extreme, there are heavy themes. The cover photo has me with a gun to my neck. I am not advocating suicide. I am taking the philosophy that man is the measure of his own fate.
    Gary Cherone
  • In New York, after that famous home run, they expected me to be up there every year. That homer raised me to a high level, with the top guys in the game.
    Bobby Thomson
  • In next five to 10 years I probably would have done my best work, but I was afraid of having another 10 or 15 years ahead of me and feeling stale, so this was an opportunity to reinvigorate myself.
    Michael Ritchie
  • In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
    Karlheinz Stockhausen
  • In particular, people have trouble understanding where I stand in relation to my characters, and very often this gets reduced to me making vicious fun of them.
    Todd Solondz
  • In playing or managing, the game of ball is only fun for me when I'm out in front and winning. I don't give a hill of beans for the rest of the game.
    John McGraw
  • In playing the part of Mammy, I tried to make her a living, breathing character, the way she appeared to me in the book.
    Hattie McDaniel
  • In practice, attempts to sort out good erotica from bad porn inevitably comes down to: What turns me on is erotica; what turns you on is pornographic.
    Ellen Willis
  • In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.
    Joe Pantoliano
  • In reality, for me every role is completely different.
    Hugh Dancy
  • In Rio Bravo when Duke makes love to Feathers, the scene dissolves to the next morning where we see him putting on his vest and almost humming. It was subtle, but you knew what happened. Give me a towel and some blankets any day!
    Angie Dickinson
  • In S Club I played a role in a band, but now I can go off and be me - My horizon's wide open now. It's scary and it's daunting, but it's an absolute thrill. I feel brand new!
    Rachel Stevens
  • In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There's always this sound out there that's just a little bit beyond my reach and I'm trying to get there and that just sort of keeps me going.
    Bill Frisell
  • In some mysterious way woods have never seemed to me to be static things. In physical terms, I move through them; yet in metaphysical ones, they seem to move through me.
    John Fowles
  • In some ways it's taken me decades to come clean and make honest work - and still to this day, sometimes I find myself wanting to hide behind my work and deny the more biographical aspects.
    David Knopfler
  • In some ways that fight gave me more respect around the world and helped me be even more popular because so many people felt my pain and saw that I was robbed.
    Marvin Hagler
  • In such an environment, I was able to study things that could be of immediate usefulness to the world. That learning experience undoubtedly served me well when I eventually entered the work force.
    Koichi Tanaka

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