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çevrimiçi: 883 kişi  18 Haz 2024 
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what

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  • You have to lead people to get excited and be passionate and be activated by what you do.
    Taylor Hanson
  • You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
    Alan Alda
  • You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
    Alan Alda
  • You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
    Maya Lin
  • You have to listen to what resonates within your own gut. You find your direction there. Your voice comes out.
    Kathy Mattea
  • You have to look at the discrepancy between what you hoped and imagined and the reality of yourself and all your shortcomings.
    Richard Grant
  • You have to love the doing of what you're doing and not wait for the phone to ring.
    Robert Stack
  • You have to love what you do to want to do it everyday.
    Aaliyah
  • You have to love what you do to want to do it everyday.
    Aaliyah
  • You have to love what you do, and you have to need it like you need air. And there's nothing else that would give me the same degree of satisfaction as acting, which is why I can't walk away from it.
    Wentworth Miller
  • You have to make peace with yourself. The key is to find the harmony in what you have.
    Naomi Watts
  • You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
    Paul Auster
  • You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
    Paul Auster
  • You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.
    John Frankenheimer
  • You have to sort of see the way that the character behaves, and what the character says and does, and claim it in the same way that you claim anything, really.
    Richard Roxburgh
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
    Dixie Carter
  • You have to think an awful lot about your motivations or people's behavioral intentions or what their body language can indicate or what's really going on or what makes people sometimes do, sometimes, the irrational things they do.
    Ron Silver
  • You have to transmit to them what it's like being in the theater. And it has to come from somewhere inside you and not by being like what somebody did last year.
    Adolph Green

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