| Adam Duritz |  But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.
Adam Duritz |
| Adam Jones | I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies.
Adam Jones |
| Adam Jones | We have meetings with our record label to tell them how to market us.
Adam Jones |
| Adam Rich | It is, we wanted to make a record that reflected our love of Hard-Rock music and it is sort of Metal though we don't really describe ourselves as Metal.
Adam Rich |
| Adam Rich | So you have to just be really careful and make sure that when a deal comes along, that it's like the right deal for you... not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.
Adam Rich |
| Adam Rich | You don't want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.
Adam Rich |
| Adrian Belew | I didn't make my first solo record until 1981 so I don't have any 60's or 70's recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.
Adrian Belew |
| Adrian Belew | We expect to keep our writing sessions going until late spring, then to play some new material in a few secret club dates. The record will likely take a long time and may not surface until 1999!
Adrian Belew |
| Adrian Smith | We try and stay out of the corporate side of it. The band has never compromised. At some point in our career we could have made a certain type of record and sold millions of units, as they are called.
Adrian Smith |
| again | I'm sure I'll go back again and record in the digital process.
Herb Alpert
|
| agrees | The estate of Michael Jackson agrees a deal worth $200m (£160m) with the record label Sony, US reports say. |
| Ahmed Best | I'm recording another demo for another batch of record labels that we'll shop it around to.
Ahmed Best |
| Aimee Mann | It's funny, because my last record was a lot about isolation and people living in separate worlds that other people can't even understand, which drug addiction is the perfect negative example of.
Aimee Mann |
| Aimee Mann | It's more important for me to have a good record with good music and be part of a movie that's good and where the music is used in a really great way. That's the important thing. The other stuff you want to say about it, I don't care.
Aimee Mann |
| Al Jarreau | I have been with the record company and Tommy was there doing records with other people.
Al Jarreau |
| Al Jarreau | Obviously given good health, and a continuing audience and a record company that allows me to do music. So given those things yes, I'm introducing some new music that people haven't really heard me do in quite this fashion.
Al Jarreau |
| Al Jourgensen | It's typical of record companies. They sign you because you're unique, and then they want to put you in a mold so they can sell records.
Al Jourgensen |
| Al Yankovic | At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.
Al Yankovic |
| Alan Gorrie | Look, I was only given a year or two to come up with tunes for this record, and when all but eight of them were thrown out for riotous behaviour, I got a bit ticked off; wouldn't you?
Alan Gorrie |
| Alan Lomax | And the thing that I always tried to do with important singers when I met them was to sit down and record everything they knew, give them a first real run-through of their art.
Alan Lomax |
