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Top 5000 » what's

what's

  • My style will be management by being on the street, management by walking around. Third persons won't have to tell me what's going on in our city. I'll hear it, I'll see it, I'll touch it myself.
    Carl Stokes
  • We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.
    Josh Holloway
  • What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
    Lusia Strus
  • If you think of life and death on a continuum, finding the point where it tips is complicated. It cuts across all political lines and gets to the root of our humanity. It requires faith informed by years of intimacy that you're doing what's right for your loved one.
    Eleanor Clift
  • What is a scientist after all? It is a curious man looking through a keyhole, the keyhole of nature, trying to know what's going on.
    Jacques Yves Cousteau
  • There are some things I'd like to get into in terms of what's important to me.
    Michael Zaslow
  • No, because I don't want to hear what's hot and feel I have to copy it. I'll just make up my own thing.
    Missy Elliot
  • I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
    Rowan Atkinson
  • Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.
    Tina Weymouth
  • In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.
    Gerry Mulligan
  • I think the record industry, by and large what's left of it, is still totally homophobic. I think it's much less so in the film industry now, but the record industry, it's always been a man's world.
    Lesley Gore
  • The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff.
    Enid Bagnold
  • Bee to the blossom, moth to the flame; Each to his passion; what's in a name?
    Helen Hunt Jackson
  • The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.
    Lawrence Kasdan
  • If someone's going to talk about me, I'd want it to be positively. The way many write, you'd think only bad things were interesting. If we don't think positive, what's the use? It's a lot more fun, you know.
    Dorothy Stratten
  • I think what's important is to give space to the range of human experience.
    Judy Chicago
  • All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.
    Norman MacCaig
  • We used to go and play shows in the south in front of two people and now every show we did was just great. The warm-ups, most of those weren't even advertised and most of them were sold out. I don't know what's going on, it's just so much different than it used to be.
    Jon Crosby
  • Oh, it's essential. I mean, you have to - if I'm writing about the Middle East, I have to go there, and if possible, stay long enough to get a real feeling for what's going on.
    Joe Sacco
  • We approach people the same way we approach our cars. We take the poor kid to a doctor and ask, What's wrong with him, how much will it cost, and when can I pick him up?
    James Hillman

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