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Top 5000 » there's

there's

  • I think that people should learn about that. In most music, there's one way that you do something, and that's the only way. In jazz, it's a lot different.
    Billy Higgins
  • I think that souls agree to come in and do what they're going to do and then leave when they're going to leave. So there's nothing tragic when a soul leaves. I think it was already preordained.
    Sally Kirkland
  • I think that the use of copyright is going to change dramatically. Part of it is economics. There is just going to be so much content out there - there's a scarcity of attention. Information consumes attention, and there's too much information.
    Esther Dyson
  • I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often.
    Danny Elfman
  • I think that there's been an unfortunate tendency for right wing think tanks to dominate these discussions. They often produce very shoddy studies and policy recommendations, which are nevertheless taken very seriously.
    Juan Cole
  • I think that what people want from cable news channels is the sense that if there's hard news, it's going to come up immediately.
    Brit Hume
  • I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.
    Kenneth Edmonds
  • I think that's the phenomenon of our time is that a lot of women keep themselves in good shape but that there's not a lot of accommodation or people out there to connect with and the technology.
    Stockard Channing
  • I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.
    Jack Nicholson
  • I think that's what I love about my life. There's no maniacal master plan. It's just unfolding before me.
    Cate Blanchett
  • I think that's why I like baseball. There's something great about it - you're young, the pitcher's young and he's got this great arm, and he doesn't really realize anything about strategy.
    Bruce McCulloch
  • I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning.
    Chiaki Kuriyama
  • I think the people who are making Christmas-themed movies today feel that people are more cynical about Christmas. There's more of an edge.
    Leonard Maltin
  • I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
    Ken Burns
  • I think there was a sense that the impact was being lost because the audience was so familiar with the form. You combine that with people's attention spans, which are clearly conditioned to be shorter now, and there's a need to vary the paradigm.
    Jim Lampley
  • I think there's a bit of the devil in everybody. There's a bit of a priest in everybody, too, but I enjoyed playing the devil more. He was more fun.
    Gabriel Byrne
  • I think there's a danger of a being typecast as the all-American mom forever.
    JoBeth Williams
  • I think there's a difference between a gamble and a calculated risk.
    Edmund H. North
  • I think there's a difference between ditzy and dumb. Dumb is just not knowing. Ditzy is having the courage to ask!
    Jessica Simpson
  • I think there's a far more general audience now because I've done more populist stuff on telly.
    Jo Brand

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