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script

i. el yazısı şeklinde matbaa harfleri, diyalog, el yazısı, alfabe, senaryo, senet, sınav kâğıdı
  • What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.
    Michael Bay
  • If it's a good script I'll do it. And if it's a bad script, and they pay me enough, I'll do it.
    George Burns
  • I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.
    Lasse Hallstrom
  • I'm a whore. If they have a check and camera and a script and stuff for me to say, I am mostly there, unless I just can't take it.
    Brad Dourif
  • I always choose my projects for the script or what the director want to tell with that story. And if I like the story.
    Elena Anaya
  • I sketched out a rough story for them and the director said, well it's a good story but we have the go-ahead from Universal to make this script and did I want to do it. I said no, and they left.
    Ellen Burstyn
  • I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
    Preston Sturges
  • But I loved the script to 7th Heaven and couldn't say no. It made me laugh and cry, and I was hooked. I'd love to know who turned it down, because I'm sure at least one other actor did. But I'm glad he did, whoever it was.
    Stephen Collins
  • Ensure that your script is watertight. If it's not on the page, it will never magically appear on the screen.
    Richard E. Grant
  • To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
    John Sayles
  • We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene.
    John Schlesinger
  • We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities.
    Peter Farrelly
  • It's eighty percent script and twenty percent you get great actors. There's nothing else to it.
    William Wyler
  • I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
    Jim Jarmusch
  • I took the role because it's rare to read a script that makes me laugh and cry, and it spoke to my own religious feelings, as well as giving me a chance to draw on my experience as a parent. Accepting it was a no-brainer.
    Stephen Collins
  • When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
    Lance Henriksen
  • Sometimes I read a script and it's obvious from early on that it's one where the suspension of disbelief has to develop strongly from page one. Some are more reality-based.
    Gillian Anderson
  • They put it on the page because it sounded good or it looked good or they read it in a book somewhere that this is how you structure a script or something, and they just don't get it. It's surprising.
    Macaulay Culkin
  • Then in came this script with another very low offer, and another drug addict and a depressing and difficult part to play. I thought, 'Why should I put myself through that for hardly any money?'
    Ellen Burstyn
  • The script was just the best I'd read in a long time and I love the humor, which I wasn't expecting, and I like the fact that my six year old daughter can see the show without being, you know, protected from it.
    Stephen Collins

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