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Top 5000 » saxophone

saxophone

i. saksofon
  • After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
    Ornette Coleman
  • And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
    David Bowie
  • As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
    Clarence Clemons
  • I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!
    Tom Verlaine
  • I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for instance.
    Roscoe Mitchell
  • I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
    Bill Frisell
  • I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
    Lee Konitz
  • I wanted an electric train for Christmas but I got the saxophone instead.
    Clarence Clemons
  • I worked with a guy, I can't think of his name, him and his wife, and one of them had a saxophone and the other played drums. It wasn't a regular job but I did a few gigs around home with them.
    Earl Scruggs
  • I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination.
    Steve Lacy
  • Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.
    Steve Lacy
  • Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same.
    Steve Lacy
  • So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm looking to exploit them and develop them and have the fullest range of possibilities of the saxophone be known.
    Evan Parker
  • Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays.
    Terry Riley
  • The potential for the saxophone is unlimited.
    Steve Lacy
  • The saxophone is a very interesting machine, but I'm more interested in music.
    Steve Lacy
  • The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
    Stan Getz
  • Throughout the evening I would be recording these long saxophone delays and about four hours into the concert, if I wanted to take a break I would just play back the saxophone.
    Terry Riley
  • When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
    Van Morrison
  • You can make a saxophone into an electric organ; you can do everything with it.
    Gerry Mulligan

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