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çevrimiçi: 39838 kişi  14 Nis 2026 
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  • I was very much fascinated with the technology we had that we could edit in the computer our compositions, but all the sounds that were available on the market were crap.
    Miroslav Vitous
  • Yes, in my books I do edit myself to keep from becoming the Village Explainer.
    Thomas Perry
  • I think the wonderful thing about doing theater is that it's more of an actor's medium. I think that film is more of a director's medium. You can't edit something out on stage. It's there.
    Kim Cattrall
  • Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.
    Michael Apted
  • I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
    Herb Ritts
  • And the most important thing you can do is learn to edit yourself. And then go back and rewrite.
    Kurt Loder
  • Anything can happen in SF. And the fact that nothing ever does happen in SF is only due to the poverty of our imaginations, we who write it or edit it or read it. But SF can in principle deal with anything.
    John Sladek
  • They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.
    James Denton
  • I don't fiddle or edit or change while I'm going through that first draft.
    Nora Roberts
  • You are traveling and see these people shooting the entire experience of going through a city, and maybe in the back of their minds they sustain the illusion that they will edit it all, but I don't think that's it.
    Atom Egoyan
  • There's something about taking a film from concept to script, through production, and then to see the final thing happening in the edit phase. It's almost like a miracle in the making.
    Maria Menounos
  • Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
    Kelly Jones
  • I am atheist in a very religious mould. I'm always asking myself the big questions. Where did we come from? Is there a meaning to all of this? When I find myself in church, I edit the hymns as I sing them.
    Mark Haddon
  • I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.
    Chuck Klosterman
  • There is also an artistic element which is lead by the film maker. Issues of what is reality and objectivity are as always relevant as someone is going to edit the film.
    Ben Edwards
  • The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
    Stephen Sondheim
  • Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.
    Michael Apted
  • To a philosopher all news, as it is called, is gossip, and they who edit and read it are old women over their tea.
    Henry David Thoreau
  • You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.
    Frederick Wiseman
  • I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
    Ken Burns

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