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çevrimiçi: 1600 kişi  13 May 2025 
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really

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  • The pressures, I don't really like to think about the pressures, I like to solve them, you know what I mean. I could sit here and complain about pressures but nobody wants to hear about pressures.
    Rick Danko
  • The Price Is Right can really get me going.
    Sam Peckinpah
  • The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
    Pete Townshend
  • The problem is going to be finding the right words and implementing it in a way that is really dealing with people that are inciting and not preventing honest discussion of the underlying causes of this horrendous political situation the world is in now.
    Clare Short
  • The problem isn't that people don't understand how good things are. It's that they know, from personal experience, that things really aren't that good.
    Paul Krugman
  • The problem of Italy is not really a question of age. Japan has an older population, and it is now in full economic recovery. The problem is that Italy is old in the structure of the society.
    Romano Prodi
  • The problem with a lot of Chinese is that they put up divisions between Taiwanese, Hong Kong natives, mainlanders. We are never united. I really hope that the Chinese can be more united.
    Martin Yan
  • The problems of language here are really serious. We wish to speak in some way about the structure of the atoms. But we cannot speak about atoms in ordinary language.
    Werner Heisenberg
  • The problems that I really like to solve are our cultural problems.
    Larry Wall
  • The process of building a part doesn't really stop.
    Donald Pleasence
  • The process of composition, messing around with paragraphs and trying to make really good prose, is hardwired into my personality.
    Rick Moody
  • The producers felt that 24 would be good for the audience, to really get to know who these 12 and 12 are.
    Paula Abdul
  • The producers felt that 24 would be good for the audience, to really get to know who these 12 and 12 are.
    Paula Abdul
  • The Professional Children's School, it's for professional kids, so if you wanted to ditch, you could just write, Audition on a note and leave. I didn't really like school all that much.
    Kieran Culkin
  • The prosecutor, who is supposed to carry the burden of proof, really is an author.
    Scott Turow
  • The public can only be really moved by what is genuine.
    George Henry Lewes
  • The purpose of The Motherhood Manifesto is. mothers really need to be given the ability to parent.
    Joan Blades
  • The question is not really about a shift to the economic cone where officers are writing about the balance of payments and the need for economic stabilization.
    Lawrence Eagleburger
  • The question really is how do we get Embassy Officers into the minds of the American business community. That is a much more difficult task than understanding a statistical matrix.
    Lawrence Eagleburger
  • The radio for these women is like television is for us today, which is really like looking at the radio.
    Debbie Allen

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