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çevrimiçi: 1175 kişi  17 May 2025 
 Boşluk doldurma (kelimeler)
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 Fiil çekim testleri

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  • I want to see the writers strike because the writers, god bless them, are the only true commies we have in Hollywood.
    Ned Beatty
  • I want to see the writers strike because the writers, god bless them, are the only true commies we have in Hollywood.
    Ned Beatty
  • I want to suggest a feeling. It's ridiculous to assume you can state an opinion. Somebody else can never relate to the lyric in the same way because their whole experience is different. You can only suggest, then people add their own history and experience to the lyrics.
    Danielle Dax
  • I want to take some jams and really concentrate on hooking up with Page because, since he's the only one not next to me, and his sound is mainly coming from my monitor rather than through the air, it's a little harder for me to hook up with him.
    Mike Gordon
  • I wanted control over the merchandising, the actual packaging of the product. That was a big factor. The only way for me to exercise control on all those levels was to start my own label.
    Helen Reddy
  • I wanted some family structure and stability, and that's what The Partridge Family afforded me, not only financially but in the fact that I could be at home with my kids.
    Shirley Jones
  • I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself.
    Aldous Huxley
  • I wanted to escape so badly. But of course I knew I couldn't just give up and leave school. It was only when I heard my mom's voice that I came out of my hiding place.
    Zhang Ziyi
  • I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.
    Stephen Greenblatt
  • I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts.
    Bille August
  • I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts.
    Bille August
  • I wanted to make people happy, if only for an hour.
    Busby Berkeley
  • I wanted to make people happy, if only for an hour.
    Busby Berkeley
  • I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
    Ang Lee
  • I wanted to show a normal young girl whose only difference was that she behaved in the way a boy might, without any sense of guilt on a moral or sexual level.
    Roger Vadim
  • I wanted when we began this to have a conversation, the kind that you're able to have, and the only way I knew how to do it was not to have a pre-interview.
    James Lipton
  • I was a crazy young man who let himself be blinded by his passions and obeyed only the impulses of the moment.
    Gustav Mahler
  • I was a good amateur but only an average professional. I soon realized that there was a limit to how far I could rise in the music business, so I left the band and enrolled at New York University.
    Alan Greenspan
  • I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
    Charlie Hunnam
  • I was a peripheral visionary. I could see the future, but only way off to the side.
    Steven Wright

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