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çevrimiçi: 804 kişi  02 May 2024 
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ed. içine, içeriye
  • You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?
    Debbie Allen
  • You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?
    Debbie Allen
  • You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
    Alan Alda
  • You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
    Alan Alda
  • You have to really dive deep back into yourself and get rid of so much modern analytical categorization. It's one of the great things poetry does.
    Robert Morgan
  • You have to remember the band played from 1960 to 1965, every night. You get into a rut playing nightclubs every night, and you didn't want to run it into the ground.
    Rick Danko
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You have to walk carefully in the beginning of love; the running across fields into your lover's arms can only come later when you're sure they won't laugh if you trip.
    Jonathan Carroll
  • You have to write badly to write at all. If it's crappy, I will rewrite it later. But it will be mine. You can hear the resonance of an artist who goes into herself.
    Kathy Mattea
  • You have within you many strong and cruel enemies to overcome. You must know that there are still a thousand ties which you must break. No one can tell you what they are; only you can tell by looking at yourself and into your heart.
    Johannes Tauler
  • You hit the flat end with a hammer in order to push the nail into something such as a wall.
  • You just don't luck into things as much as you'd like to think you do. You build step by step, whether it's friendships or opportunities.
    Barbara Bush
  • You just don't want to push people into doing things that they really don't want to do. I don't think it's going to produce much.
    William Scott
  • You keep on balancing and balancing and balancing until the picture wins, because then the subject's turned into the picture.
    Howard Hodgkin
  • You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.
    Bruce Greenwood
  • You know I think that going into therapy is a very positive thing, and talking about it is really helpful, because the more you talk the more your fears fade, because you get it out.
    Fran Drescher
  • You know that they're not just into it for the moment, they really care about it and value it over time.
    Matthew Sweet
  • You know when you're young you think you will always be. As you become more fragile, you reflect and you realize how much comfort can come from the past. Hymns can carry you into the future.
    Andy Griffith
  • You know, for an actor to come into the midst of that, it's - It can either be difficult and somewhat unnerving, or it can be very embracing and like, kind of stepping into a nice hot tub.
    Keith Carradine

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