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çevrimiçi: 955 kişi  29 Nis 2024 
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how

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i. yöntem
  • You have to keep your sanity as well as know how to distance yourself from it while still holding onto the reins tightly. That is a very difficult thing to do, but I'm learning.
    Diahann Carroll
  • You have to know how to score.
    Brett Hull
  • You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once.
    Helen Frankenthaler
  • You have to look at how chemistry develops.
    Tim Hardaway
  • You have to play defense, that's how you win.
    Peter Bondra
  • You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.
    John Frankenheimer
  • You have to study your field and you have to find out how other people do it, and you have to keep working and learning and practicing and ultimately, you would be able to do it.
    Theodore Sturgeon
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
    Richard Dean Anderson
  • You hear about how many fourth quarter comebacks that a guy has and I think it means a guy screwed up in the first three quarters.
    Peyton Manning
  • You hope and pray that you'll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in you.
    Matthew Modine
  • You instinctively discover how to entertain an audience.
    Anna Held
  • You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.
    Richard Russo
  • You just need to be honest with how you're feeling. But, a lot of women are afraid of it because they think, 'Oh, they are going to take my baby away. They're gonna call me incompetent. I'm going to lose my job. I've got to be tough, it's a man's world.'
    Marie Osmond
  • You just never give up, no matter how hard the challenges are, and observe this world with a healthy dose of criticism and don't just follow the herd like somebody else might do.
    Renny Harlin
  • You just never know when somebody's gonna die. It could happen at any moment so you've got to really treat everybody that way. Just really let everybody know how you feel about them.
    John Frusciante
  • You know honestly I think there's a Dracula, a Wolf Man, and a Frankenstein's Monster in all of us. They are sides of our own character so that's why I think we can relate to them in terms of a 'I know how that feels' kind of thing.
    Richard Roxburgh
  • You know how bad my voice sounds - well it feels just as bad.
    George Herman
  • You know how fighting fish do it? They blow bubbles and in each one of those bubbles is an egg and they float the egg up to the surface. They keep this whole heavy nest of eggs floating, and they're constantly repairing it. It's as if they live in both elements.
    Audre Lorde
  • You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible.
    Mark McGrath

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