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çevrimiçi: 1420 kişi  27 Ağu 2025 
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how

zf. nasıl, ne kadar
i. yöntem
  • That is, the only reason salvation is necessary is to get us back to the garden. The Pentateuch not only presents where we began but also why we are not there any more, and why and how we need to get back.
    David Baker
  • That is, the only reason salvation is necessary is to get us back to the garden. The Pentateuch not only presents where we began but also why we are not there any more, and why and how we need to get back.
    David Baker
  • That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... 'hazel eyes'. It does help if you can brush that stuff off.
    Julia Ormond
  • That nothing of any sort, no matter how painful, should be kept from her.
  • That problem has been going on since men and women and their children moved from the plains and into caves. How many times have you heard Howard Cunningham talking to Marian about shopping? Too many.
    Henry Winkler
  • That said, the question remains: how to strike the balance between free speech and mutual respect in this mixed-up world, both blessed and cursed with instant communication? We should not fight fire with fire, threats with threats.
    Timothy Garton Ash
  • That said, the question remains: how to strike the balance between free speech and mutual respect in this mixed-up world, both blessed and cursed with instant communication? We should not fight fire with fire, threats with threats.
    Timothy Garton Ash
  • That save from Pele's header was the best I ever made. I didn't have any idea how famous it would become - to start with, I didn't even realise I'd made it at all.
    Gordon Banks
  • That save from Pele's header was the best I ever made. I didn't have any idea how famous it would become - to start with, I didn't even realise I'd made it at all.
    Gordon Banks
  • That saying, about how you always kill the thing you love, well, it works both ways.
    Chuck Palahniuk
  • That song is a story that shows how easily you could get slipped into being labeled as the bad guy, even though what you really trying to do is tell the bad guy to leave you alone.
    Slick Rick
  • That was always my frustration with so many of these shows, because design is not an ambush... it's a relationship. You have to know how people move and live and work to be able to design for them.
    Genevieve Gorder
  • That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are.
    Elliott Carter
  • That was the big lesson for all of us. Everything was going great on paper, but we all became miserable because we were so caught up in the machinery of how you make that happen, it took away the sheer joy.
    Susanna Hoffs
  • That will just show you how fond he was of me, Mr. Holmes, and the little things that he would think of.
  • That's another thing about today's stars that makes me glad that I'm not doing it any more. The stars come with ten people all around them. I don't know how you ever make any personal contact with them.
    Julie Harris
  • That's definitely a part of who Superman is and definitely who Clark on the farm is. It translates to how calm he is. I feel like I'm pretty calm most of the time and relaxed, which gives presence to the character.
    Brandon Routh
  • That's how easy baseball was for me. I'm not trying to brag or anything, but I had the knowledge before I became a professional baseball player to do all these things and know what each guy would hit.
    Willie Mays
  • That's how I got my name, you know. The Bonny scot, see?
    Bon Scott
  • That's how I like to do it with actors, have them really go for it and I'll tell them when it's too much. It's always easier to bring it back then to push it further.
    Alexander Payne

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