As Buddy Rich, for instance, broke into the business at the age of three, I think it was, on drums, so indeed did I break into the business at the age of four as a singer. Mel Torme
How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to being in the thousands - for the span of years from the time I was eight till I was about fifteen. Mel Torme
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage. Mel Torme
I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be. Mel Torme
I was a singer professionally when I was four years old, and I did not really begin to play any instrument - the first one, of course, was drums - till I was about nine years old. Mel Torme
It may sound a bit like an army barracks, but the truth of the matter is: there must be some time laid aside for arranging, time for working on either a book or an article - I've written two articles in the last four months for the New York Times book review section. Mel Torme
Right now, my career is in three directions: as a performer, as an arranger, as an author - and I don't give any one of them true precedent, or true top marks, as opposed to the other two. Mel Torme
See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys. Mel Torme
So I'm sorry, I'm going to continue to talk to the people, because I do believe that if they get to know you and what you are as a human being, they can more appreciate what you are as a performer. Mel Torme