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Famous People » gerry mulligan

Gerry Mulligan

  • Actually, it is a fact that I've been doing more writing than playing in recent years.
    Gerry Mulligan
  • Because if you've got the wit, you can make anything into a melody, ultimately.
    Gerry Mulligan
  • Eliminating the piano means that I've always worked closer with the bass than most players.
    Gerry Mulligan
  • I like what I hear other guys doing, but the thing that really attracts me is melodic playing.
    Gerry Mulligan
  • I'm fascinated with the electronic devices that we can mess around with.
    Gerry Mulligan
  • I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
    Gerry Mulligan
  • I've appeared on some other people's albums.
    Gerry Mulligan
  • If you've only got one horn playing, I still want the sense of ensemble.
    Gerry Mulligan
  • In a way, I started out to be a baritone player.
    Gerry Mulligan
  • In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.
    Gerry Mulligan
  • It's true I've always been attracted to the jazz band in an orchestral way, rather than a band way.
    Gerry Mulligan
  • Miles Davis is one who writes songs when he plays.
    Gerry Mulligan
  • New York is still where I live most of the time.
    Gerry Mulligan
  • Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones.
    Gerry Mulligan
  • Only the French, I guess, really use tenor and alto to any great extent in the orchestra.
    Gerry Mulligan
  • People are approaching electronic levels in music; although not all of it happens to tickle my fancy.
    Gerry Mulligan
  • People talk about innovations and evolutions and that kind of thing; I don't understand about that nonsense. It's like, all instruments are there to use all the time.
    Gerry Mulligan
  • So I played alto for quite a while until I saved up the money for the baritone.
    Gerry Mulligan
  • The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
    Gerry Mulligan
  • The first reason for starting to do the symphony concerts was to play this new piece of mine.
    Gerry Mulligan

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