go
Logo
twitter twitter
çevrimiçi: 893 kişi  01 Haz 2024 
 Boşluk doldurma (kelimeler)
 Boşluk doldurma (fiiller)
 Kelime tamamlama
 Fiil tamamlama
 Kelime Eşleştirme
 Fiil Eşleştirme
 Kelime Telaffuzları
 Fiil Telaffuzları
 Fiil çekim testleri
Famous People » steve lacy

Steve Lacy

  • Kenny G, I have to be grateful to him for proving that the instrument can be played all different kinds of ways.
    Steve Lacy
  • Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.
    Steve Lacy
  • People don't want to suffer. They want to sound good immediately, and this is one of the biggest problems in the world.
    Steve Lacy
  • Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same.
    Steve Lacy
  • Register is very important. Music sounds best in a certain register.
    Steve Lacy
  • Risk is at the heart of jazz. Every note we play is a risk.
    Steve Lacy
  • Saxophone is one thing, and music is another.
    Steve Lacy
  • Some people really want to play Mozart and be just performers. I was more interested in invention.
    Steve Lacy
  • The more original something is, the more of a threat it seems until the people catch up with it. That happened with Thelonious Monk. It happened with anybody who is really original.
    Steve Lacy
  • The potential for the saxophone is unlimited.
    Steve Lacy
  • The saxophone is a very interesting machine, but I'm more interested in music.
    Steve Lacy
  • The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
    Steve Lacy
  • The soprano turned out to sound to me like the right hand on the piano.
    Steve Lacy
  • There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.
    Steve Lacy
  • They call me before they go into production, when they have a prototype, and they call legitimate saxophonists, too. As opposed to the other kind.
    Steve Lacy
  • To me, there is spirit in a reed. It's a living thing, a weed, really, and it does contain spirit of a sort. It's really an ancient vibration.
    Steve Lacy
  • We played for peanuts. But we did what we wanted to do, we heard what we wanted to hear, we performed what we wanted to perform, we learned what we wanted to learn.
    Steve Lacy
  • What I learned with Cecil Taylor was strategy and survival and how to resist temptations and resist getting discouraged.
    Steve Lacy
  • When I came up, it was all about originality and collective research. There is an awful lot of imitation going on now.
    Steve Lacy
  • When I first started playing music in 1955, there was just a small body of people that knew it. It was a very esoteric type of thing.
    Steve Lacy

46 c?mle
Cümle Sözlük, bir Onur-Hoca projesidir. cumlesozluk.com © 2009 - 2024