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Famous People » brian eno

Brian Eno

  • I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
    Brian Eno
  • I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
    Brian Eno
  • I wanted to get rid of the element that had been considered essential in pop music: the voice.
    Brian Eno
  • I'm not interested in possible complexities. I regard song structure as a graph paper.
    Brian Eno
  • I'm very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
    Brian Eno
  • I've discovered this new electronic technique that creates new speech out of stuff that's already there.
    Brian Eno
  • If I had a stock of fabulous sounds I would just always use them. I wouldn't bother to find new ones.
    Brian Eno
  • If you want to make someone feel emotion, you have to make them let go. Listening to something is an act of surrender.
    Brian Eno
  • If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
    Brian Eno
  • If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
    Brian Eno
  • In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
    Brian Eno
  • It's not the destination that matters. It's the change of scene.
    Brian Eno
  • Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.
    Brian Eno
  • Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
    Brian Eno
  • Musicians are there in front of you, and the spectators sense their tension, which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
    Brian Eno
  • My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
    Brian Eno
  • My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
    Brian Eno
  • Nearly all the things I do that are of any merit at all start off just being good fun, and I think I'm sort of building up to doing something else quite soon.
    Brian Eno
  • One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn't if you knew better.
    Brian Eno
  • People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.
    Brian Eno

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