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çevrimiçi: 957 kişi  18 May 2024 
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sound

f. ses vermek
i. ses, melodi
zf. mışıl mışıl
  • I think I was first to do live performances on a modern electronic sound synthesizer.
    John Eaton
  • I think one thing that helped the sound change, it's a real subtle thing; it's just one switch on my bass, it has three positions, and I usually boost the mid-range frequency, I lowered the frequency that I boost, and that goes out to the sound system, too.
    Mike Gordon
  • I think that every band tries to mature their sound through their existence, you know?
    Adam Rich
  • I think that George Lucas' 'Star Wars' films are fantastic. What he's done, which I admire, is he has taken all the money and profit from those films and poured it into developing digital sound and surround sound, which we are using today.
    Peter Jackson
  • I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there.
    Leo Kottke
  • I think that those elements - light and sound - are beyond democratic. They're into the creative part of life.
    Ornette Coleman
  • I think the fans really wanna hear the songs the way they sound on the record.
    Ace Frehley
  • I think the feeling was common to us all, for I noticed that the others kept looking over their shoulders at every sound and every new shadow, just as I felt myself doing.
  • I think we're quite unique in that we do have our own sound and approach and we don't really care what's going on elsewhere... we've never wanted to be part of another trend or movement.
    Alex Lifeson
  • I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
    Ian Williams
  • I thought the best thing you were supposed to do was find somebody and try to sound like them.
    Ruth Brown
  • I use my hands like a sculptor, to mold and shape the sound I want, to clarify.
    Leonard Slatkin
  • I used my mother's radio as a PA system. I'd take the telephone, the speaking part, and take those two leads off and lead them into the radio and the sound would come out of the speaker.
    Les Paul
  • I want to feel passion, I want to feel pain. I want to weep at the sound of your name. Come make me laugh, come make me cry... just make me feel alive.
    Joey Lauren Adams
  • I want to feel passion, I want to feel pain. I want to weep at the sound of your name. Come make me laugh, come make me cry... just make me feel alive.
    Joey Lauren Adams
  • I want to sound like Christopher Cross in another ten years, and be totally proud of it.
    Gene Ween
  • I want to state upfront, unequivocally and without doubt: I do not believe that any racial, ethnic or gender group has an advantage in sound judging. I do believe that every person has an equal opportunity to be a good and wise judge, regardless of their background or life experiences.
    Sonia Sotomayor
  • I want to take some jams and really concentrate on hooking up with Page because, since he's the only one not next to me, and his sound is mainly coming from my monitor rather than through the air, it's a little harder for me to hook up with him.
    Mike Gordon
  • I wanted this album to sound like a big crocheted blanket - to be warm yet to have a lot of space.
    Deana Carter
  • I wanted to make the kind of records that I heard in the discos that I danced in at that time. Funky, electronic sounds, while the musicians in the band were more rock oriented. This I suppose created the sound we know as Frankie Goes To Hollywood.
    Holly Johnson

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