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çevrimiçi: 622 kişi  19 May 2025 
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too

zf. de, dahi, çok
  • That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
    Robert Stack
  • The 19th century saw the rise of "landscape heraldry" and extensive use of charges tinctured "proper", especially in augmentations (and more often in German heraldry than English), but this practice too has been deprecated as essentially unheraldic.
  • The abilities of man must fall short on one side or the other, like too scanty a blanket when you are abed. If you pull it upon your shoulders, your feet are left bare; if you thrust it down to your feet, your shoulders are uncovered.
    Thomas Paine
  • The accolades usually come when you're dead or too old to get a job.
    John Frankenheimer
  • The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
    Sarah Bernhardt
  • The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
    Sarah Bernhardt
  • The air of England has long been too pure for a slave, and every man is free who breathes it.
    James Mansfield
  • The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air.
    Mary McCarthy
  • The appeal all too often is to the gallery, hungry for sensation.
    Otto Hermann Kahn
  • The art of motherhood involves much silent, unobtrusive self-denial, an hourly devotion which finds no detail too minute.
    Honore de Balzac
  • The art of motherhood involves much silent, unobtrusive self-denial, an hourly devotion which finds no detail too minute.
    Honore de Balzac
  • The atmosphere is much too near for dreams. It forces us to action. It is close to us. We are in it and of it. It rouses us both to study and to do. We must know its moods and also its motive forces.
    Cleveland Abbe
  • The atmosphere is much too near for dreams. It forces us to action. It is close to us. We are in it and of it. It rouses us both to study and to do. We must know its moods and also its motive forces.
    Cleveland Abbe
  • The atmosphere of libraries, lecture rooms and laboratories is dangerous to those who shut themselves up in them too long. It separates us from reality like a fog.
    Alexis Carrel
  • The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
    George Stevens
  • The Beduin could not look for God within him: he was too sure that he was within God.
    T. E. Lawrence
  • The belief may be too often mistaken, but the illusion of coming into direct contact with the past is intoxicating and persuasive, and can result in an interpretation that carries conviction. Sometimes confidence is all that's needed.
    Charles Rosen
  • The best I can say is that it's better for me to write about despair and darkness than to be incapable of getting off the sofa. It's better to write about suicide than to contemplate it too heavily.
    Paul Westerberg
  • The best part is it's a dream come true. I've always wanted to be a working actor, and the good part of it... it's all good! I work long hours, but it's amazing. They pay me. That's amazing! I get to kiss Keri Russell, and that ain't too bad.
    Scott Foley
  • The best way to get husbands to do something is to suggest that perhaps they are too old to do it.
    Shirley MacLaine

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