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çevrimiçi: 1097 kişi  25 May 2025 
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then

s. o zamanki
zf. o zaman, öyleyse, zira
  • Well physically preparing for the role, definitely and then continuing to stay physically fit throughout filming, getting up, 4.00 4.30 in the morning.
    Brandon Routh
  • Well the war lasted for three months, from April of 1994 until the Tutsi army, the exiles as it were, gained control of the country and then it stopped.
    Tony Greig
  • Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.
    Miriam Makeba
  • Well, developers do want to touch a lot of customers. We have to make our platform very popular in order for them to do that. If we make their jobs easier, then they'll be more likely to stay on the Windows platform.
    Jim Allchin
  • Well, developers do want to touch a lot of customers. We have to make our platform very popular in order for them to do that. If we make their jobs easier, then they'll be more likely to stay on the Windows platform.
    Jim Allchin
  • Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.
    Michael Jackson
  • Well, for Blow I had to age from 20 to 60, starting out in shape and then later putting on fat pads.
    Ray Liotta
  • Well, for us, it's always better not to have too many expectations and to just go with the flow because then it's always a big plus no matter what happens.
    Ville Valo
  • Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.
    Ismail Merchant
  • Well, I did know - but I just wanted the day to pass and the next day to come and then I wanted that one to pass. It was a horrible cycle. I felt so close to having to pack the game in.
    Paul Gascoigne
  • Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.
    Cecilia Bartoli
  • Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.
    Cecilia Bartoli
  • Well, I grew up between Holland and Israel and then moved to France when I was eleven.
    Keren Ann
  • Well, I grew up between Holland and Israel and then moved to France when I was eleven.
    Keren Ann
  • Well, I started conducting kind of by accident. I wanted to give myself a special birthday present for my fortieth birthday, and I was living in San Francisco at the time and I started attending some of the concerts and then simply dropping hints.
    Bobby McFerrin
  • Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.
    Kathy Acker
  • Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.
    Kathy Acker
  • Well, I've been to Iraq twice now. I was in Baghdad in June and then north of Baghdad in November.
    Gary Sinise
  • Well, if storytelling is important, then your narrative ability, or your ability to put into words or use what someone else has put into words effectively, is important too.
    Howard Gardner
  • Well, if the NATO countries don't make more of their troops usable and don't get the equipment to get them fast where the action is, then the organisation will suffer and will increasingly become irrelevant.
    Lord Robertson

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