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çevrimiçi: 1738 kişi  01 Haz 2024 
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story

i. hikâye
  • I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
    Donald E. Westlake
  • I started writing to please myself, a story I would like to read, and that is still true.
    Jean M. Auel
  • I started writing to please myself, a story I would like to read, and that is still true.
    Jean M. Auel
  • I suppose, I remarked, that, homely as it looks, this thing has some deadly story linked on to it-that it is the clue which will guide you in the solution of some mystery and the punishment of some crime.
  • I take a whole life story and compress it into three minutes.
    Harlan Howard
  • I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
    Michael Ondaatje
  • I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.
    Billy Eckstine
  • I think a story should take as long to tell as it is appropriate to that particular story.
    Frank Darabont
  • I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.
    Ann Beattie
  • I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.
    Ann Beattie
  • I think cheese smells funny, but I feel bananas "are" funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.
    Joe Murray
  • I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
    Joss Whedon
  • I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.
    John Sayles
  • I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story.
    Chris Ware
  • I think it's a short story writer's duty, as well as writing well about emotions and characters, to write story.
    Eric Brown
  • I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.
    Lars von Trier
  • I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell.
    Paula Danziger
  • I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.
    Simon Pegg
  • I think the best type of action movie combines a love story with the action.
    Morris Chestnut
  • I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
    Jeffrey Jones

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