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çevrimiçi: 829 kişi  16 May 2024 
 Boşluk doldurma (kelimeler)
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story

i. hikâye
  • I decided to devote my life to telling the story because I felt that having survived I owe something to the dead. and anyone who does not remember betrays them again.
    Elie Wiesel
  • I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
    Sam Mendes
  • I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
    Sarah Zettel
  • I determined to wait until I got back to town before telling my story to the police.
  • I did my very first film with Kirk in Detective Story when he was the greatest, greatest star in the world. I fell in love with him, had a crush on him then.
    Lee Grant
  • I did not want to write a story about the invasion of Earth, so I had to create a race capable of living nearby, which meant to either on the Moon, on Mars, or on Venus. I picked Venus.
    Sarah Zettel
  • I didn't do drugs, I never did do drugs. Never. I don't have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn't interested in the people around the drugs.
    Ruben Blades
  • I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool!
    David Lynch
  • I discovered that in a story I could safely dream any dream, hope any hope, go anywhere I pleased any time I pleased, fight any foe, win or lose, live or die. My stories created a safe experimental learning place.
    Donald Davis
  • I disliked singing in English and neither liked the story nor the character of Cressida.
    Walter Legge
  • I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.
    Alex O'Loughlin
  • I do think that short story writing is often a matter of luck.
    Robert Sheckley
  • I do think the story in Halloween 5 is a bit stupid, and there's a lot more blood. They're obviously going to take the Halloween series in a different direction.
    Donald Pleasence
  • I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.
    Angela Merkel
  • I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.
    Michael Ondaatje
  • I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
    John Davidson
  • I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.
    Robert Stack
  • I don't necessarily start with the beginning of the book. I just start with the part of the story that's most vivid in my imagination and work forward and backward from there.
    Beverly Cleary
  • I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
    Roman Polanski
  • I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.
    Brad Paisley

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