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çevrimiçi: 919 kişi  18 May 2024 
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visual

görme, görüş, görsel, optik, görülebilir taslak, kroki, görsel araç
  • I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
    Henry Flynt
  • I can hear you and I can watch your mouth move, and then I put together the sounds and the visual image, and I can understand the words as I integrate the two signals.
    Marlee Matlin
  • I felt I really wanted to back off from music completely and just work within the visual arts in some way. I started painting quite passionately at that time.
    David Bowie
  • I found that it wasn't so oddball to like music and poetry and visual arts, they're kindred spirits.
    J. Carter Brown
  • I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.
    Steven Soderbergh
  • I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.
    Margaret Weis
  • I love writing dialogue, and I think a lot of my writing is visual and very cinematic.
    Jessica Hagedorn
  • I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.
    Thurston Moore
  • I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.
    Ann Beattie
  • I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around.
    Ann Beattie
  • I think setting a goal, getting a visual image of what it is you want. You've got to see what it is you want to achieve before you can pursue it.
    Chuck Norris
  • I think setting a goal, getting a visual image of what it is you want. You've got to see what it is you want to achieve before you can pursue it.
    Chuck Norris
  • I think so. I can't think of anything that requires more finesse than comedy, both from a verbal and visual point of view.
    Stacy Keach
  • I think television has betrayed the meaning of democratic speech, adding visual chaos to the confusion of voices. What role does silence have in all this noise?
    Federico Fellini
  • I think that cognitive scientists would support the view that our visual system does not directly represent what is out there in the world and that our brain constructs a lot of the imagery that we believe we are seeing.
    Galen Rowell
  • I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
    John Eaton
  • I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution.
    George Murray
  • I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention.
    James Laughlin
  • I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.
    Joe Sacco
  • I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
    Barbara Kruger

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