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Top 5000 » novel

novel

i. roman
s. yeni, acayip
  • I'm working on a nonfiction book on Nepal and a novel about diasporas.
    Louise Brown
  • I'm writing a novel about two actresses who go to New York, because that's what I know about. One has lost touch with reality, disappears and is picked up by a man.
    Julie Walters
  • I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
    Penelope Lively
  • I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
    John Irving
  • I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
    Manuel Puig
  • I've had some tremendous adventures, good and bad. It's part of the novel, and a novel isn't interesting if it doesn't have some good and bad. And you don't know what good is if bad hasn't been a part of your life.
    Lynn Johnston
  • I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.
    Lynn Abbey
  • I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.
    Lynn Abbey
  • If a theme or idea is too near the surface, the novel becomes simply a tract illustrating an idea.
    Elizabeth Bowen
  • If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.
    Chaim Potok
  • If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
    Don DeLillo
  • If one book's done this well, you want to write another one that does just as well. There's that horror of the second novel that doesn't match up.
    Mark Haddon
  • If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.
    Alan Paton
  • In course of time my first novel appeared. It was a love story.
    George Barr McCutcheon
  • In my third novel there is an actual black hole that swallows everything you love.
    Jonathan Lethem
  • In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
    Edmund White
  • In the West audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.
    Chow Yun-Fat
  • It is the test of a novel writer's art that he conceal his snake-in-the-grass; but the reader may be sure that it is always there.
    Anthony Trollope
  • It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.
    Jonathan Coe
  • It would be easier to write a novel without reader input, but I feel the fiction is richer for it.
    Piers Anthony

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