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Famous People » neville marriner

Neville Marriner

  • As you know, there are certain languages that lend themselves very easily to vocal use.
    Neville Marriner
  • Before, we may have taken part in it without even thinking it was American Jewish, but in this case, I think, you have now perhaps pointed us in a direction of a new interest in this repertoire.
    Neville Marriner
  • But the most important test is to take them on tour and see if you can bear to spend time with them.
    Neville Marriner
  • I think the quality of something like the Beveridge, for instance, will have a life of its own.
    Neville Marriner
  • I think we were all frustrated with our daily routine.
    Neville Marriner
  • I would like new people with new ideas to come into it and change it.
    Neville Marriner
  • If the (British) Arts Council give you money, they also tell you how to spend it.
    Neville Marriner
  • If we perform the romantic repertoire we need more musicians.
    Neville Marriner
  • Initially we performed in halls with capacities of 1,000.
    Neville Marriner
  • Most Beethoven symphonies require 80 or more instruments, and the late romantics even more.
    Neville Marriner
  • Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
    Neville Marriner
  • Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now.
    Neville Marriner
  • One of the great virtues, apart from the pleasure of performing these works, is that it's opened up an entirely new, expansive repertoire of American Jewish music.
    Neville Marriner
  • One thing we were looking for from the start was players who really fit together, who sounded in tune.
    Neville Marriner
  • So I think we got together as the Academy to give ourselves that sort of responsibility and to play well.
    Neville Marriner
  • So I've never found there was any particular separation between the two cultures at all, musically speaking.
    Neville Marriner
  • So in one leap we had gone from being a friendly society to something almost professional.
    Neville Marriner
  • Taste is changing, style is changing, and players' abilities are changing.
    Neville Marriner
  • The awful thing about a conductor becoming geriatric is that you seem to become more desirable, not less.
    Neville Marriner
  • There are some sounds that English singers find quite difficult to manipulate.
    Neville Marriner

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